World premiere screening of Vincent Meessen's Ultramarine in the Ammodo Tiger Short Competition of the International Film Festival Rotterdam
25, 26, 29/01/2019
The single channel version of Vincent Meessen's Ultramarine (2018) is shown as part of the 12th Shanghai Biennale curated by Cuauhtémoc Medina
10/11/2018 - 10/03/2019
Group exhibition with Eleni Kamma at Museum Hedendaagse Kunst De Domijnen, Sittard
16/12/2018 - 29/01/2019
Sound installation and listening space by Paul Devens with Justin Bennett at Les Brasseurs art contemporain, Liège
12/01 - 07/02/2019
Solo exhibition by Vincent Meessen at Leonard & Bina Ellen Art Gallery, Concordia University, Montreal
17/11/2018 - 02/02/2019
A performance by The October Collective with Justin Bennett at the Kunstkapel, Amsterdam
The first issue of the journal by art/recherche, the organization for artistic research in art education, features interviews with Eleni Kamma and Vincent Meessen on some of their recent work.
Vincent Meessen’s work on Oral Site examines the transnational destiny of the official Belgian motto "Eendracht maakt macht/L'union fait la force"
Justin Bennett releases two new collections of audio works: BXL_FLT (2017-2018) and SITE 2 (2011-2018)
Caveat is a collective research project that focuses on the legal and social-economic frameworks in which art workers operate, and the precarious conditions this generates. The project aims to redefine the contract as a tool for actively reconfiguring relations in the field, and as an instrument toward self-emancipation. Caveat is convened by Jubilee, in partnership with Open Source Publishing, No New Enemies and Été 78.
The Flemish Community has acquired Vincent Meessen's audiovisual installation One.Two.Three. The work, featuring a contemporary interpretation of a May 68 chant written by the Congolese Situationist Joseph Mbelolo ya Mpiku, was created for the Belgian Pavilion at the 56th Venice Biennale (2015).
One.Two.Three will be hosted by Mu.ZEE, museum for modern and contemporary art in Ostend. Since 2014, the museum has a programme with specific interest in the relationship between occidental modern art and art from the Congo, former Belgian colony, in the context of which the exhibition A conversation between collections from Kinshasa and Ostend was on view at Mu.ZEE recently.